The series treats visual heritage as material rather than monument.
Through overpainting, symbolic distortion, and contemporary remixing, familiar imagery is reintroduced into modern cultural dialogue, where meaning is constantly rewritten through circulation and reinterpretation.
These works exist between destruction and reinvention.
Rather than erasing historical imagery, the interventions create new emotional and cultural relationships with it, allowing the familiar to feel unstable, contemporary, and alive again.
